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The Expression of the Emotions in Man and Animals

Page 27 of 275, printed 27

former case as if he did not or would not see it. I have noticed that persons in describing a horrid sight often shut their eyes momentarily and firmly, or shake their heads, as if not to see or to drive away something disagreeable; and I have caught myself, when thinking in the dark of a horrid spectacle, closing my eyes firmly. In looking suddenly at any object, or in looking all around, everyone raises his eyebrows, so that the eyes may be quickly and widely opened; and Duchenne remarks that[107] a person in trying to remember something often raises his eyebrows, as if to see it. A Hindoo gentleman made exactly the same remark to Mr. Erskine in regard to his countrymen. I noticed a young lady earnestly trying to recollect a painter s name, and she first looked to one corner of the ceiling and then to the opposite corner, arching the one eyebrow on that side; although, of course, there was nothing to be seen there. In most of the foregoing cases, we can understand how the associated movements were acquired through habit; but with some individuals, certain strange gestures or tricks have arisen in association with certain states of the mind, owing to wholly inexplicable causes, and are undoubtedly inherited. I have elsewhere given one instance from my own observation of an extraordinary and complex gesture, associated with pleasurable feelings, which was transmitted from a father to his daughter, as well as some other analogous facts.[108] Another curious instance of an odd inherited movement, associated with the wish to obtain an object, will be given in the course of this volume. There are other actions which are commonly performed under certain circumstances, independently of habit, and which seem to be due to imitation or some sort of sympathy. Thus persons cutting anything with a pair of scissors may be seen to move their jaws simultaneously with the blades of the scissors. Children learning to write often twist about their tongues as their fingers move, in a ridiculous fashion. When a public singer suddenly becomes a little hoarse, many of those present may be heard, as I have been assured by a gentleman on whom I can rely, to clear their throats; but here habit probably comes into play, as we clear our own throats under similar circumstances. I have also been told that at leaping matches, as the performer makes his spring, many of the spectators, generally men and boys, move their feet; but here again habit probably comes into play, for it is very doubtful whether women would thus act. 27
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