1210 (return) [ Wenderholme, vol. ii. p. 91.]
1211 (return) [ Lieber, On the Vocal Sounds, &c., ibid. p. 7.]
1212 (return) [ Huschke, Mimices et Physiognomices, 1821, p. 18.
Gratiolet (De la Phys. p. 255) gives a figure of a man in this
attitude, which, however, seems to me expressive of fear combined with
astonishment. Le Brun also refers (Lavater, vol. ix. p. 299) to the
hands of an astonished man being opened.]
1213 (return) [ Huschke, ibid. p. 18.]
1214 (return) [ North American Indians, 3rd edit. 1842, vol. i. p.
105.]
1215 (return) [ H. Wedgwood, Dict. of English Etymology, vol. ii. 1862,
p. 35. See, also, Gratiolet ( De la Physionomie, p. 135) on the
sources of such words as terror, horror, rigidus, frigidus, &c.]
1216 (return) [ Mr. Bain ( The Emotions and the Will, 1865, p. 54)
explains in the following manner the origin of the custom of
subjecting criminals in India to the ordeal of the morsel of rice. The
accused is made to take a mouthful of rice, and after a little time to
throw it out. If the morsel is quite dry, the party is believed to be
guilty, his own evil conscience operating to paralyse the salivating
organs. ]
1217 (return) [ Sir C. Bell, Transactions of Royal Phil. Soc. 1822, p.
308. Anatomy of Expression, p. 88 and pp. 164-469.]
1218 (return) [ See Moreau on the rolling of the eyes, in the edit. of
1820 of Lavater, tome iv. p. 263. Also, Gratiolet, De la Phys. p. 17.]
1219 (return) [ Observations on Italy, 1825, p. 48, as quoted in The
Anatomy of Expression, p. 168.]
1220 (return) [ Quoted by Dr. Maudsley, Body and Mind, 1870, p. 41.]
1221 (return) [ Anatomy of Expression, p. 168.]
269