partner. They were a gloomy suite of rooms, in a
lowering pile of building up a yard, where it had so
little business to be, that one could scarcely help
fancying it must have run there when it was a young
house, playing at hide-and-seek with other houses,
and forgotten the way out again. It was old enough
now, and dreary enough, for nobody lived in it but
Scrooge, the other rooms being all let out as offices.
The yard was so dark that even Scrooge, who knew
its every stone, was fain to grope with his hands.
The fog and frost so hung about the black old gateway
of the house, that it seemed as if the Genius of
the Weather sat in mournful meditation on the
threshold.
Now, it is a fact, that there was nothing at all
particular about the knocker on the door, except that it
was very large. It is also a fact, that Scrooge had
seen it, night and morning, during his whole residence
in that place; also that Scrooge had as little of what
is called fancy about him as any man in the city of
London, even including--which is a bold word--the
corporation, aldermen, and livery. Let it also be
borne in mind that Scrooge had not bestowed one
thought on Marley, since his last mention of his
seven years' dead partner that afternoon. And then
let any man explain to me, if he can, how it happened
that Scrooge, having his key in the lock of the door,
saw in the knocker, without its undergoing any intermediate
process of change--not a knocker, but Marley's face.
Marley's face. It was not in impenetrable shadow
as the other objects in the yard were, but had a
dismal light about it, like a bad lobster in a dark
cellar. It was not angry or ferocious, but looked
at Scrooge as Marley used to look: with ghostly
spectacles turned up on its ghostly forehead. The
hair was curiously stirred, as if by breath or hot air;
and, though the eyes were wide open, they were perfectly
motionless. That, and its livid colour, made it
13